Free ebook

My short story collection, Up The Garden Path, is currently free as the final part of Alfie Dog Fiction's fifth birthday celebrations. This offer runs 12th to 16th of July.

Get it here.

If you download and enjoy it, I'd really appreciate it if you left a review on Amazon.

ISSNs for ALCS

I've found this link, which shows you how to obtain the ISSN for any magazine. As I'm currently travelling, that's the best I can do for now – but actually it's probably better than a list, which I might misstype and which will undoubtedly soon become out of date.

Many, but not all, magazines also give the ISSN on the first or large page along with things such as their registered address and copyright information. (You'll need to look at a copy to check the title your story was published under.)

If you're wondering what an ISSN is, or why you'd need one, take a look at these posts.

As I don't have a womag with me to illustrate this pst, I'm using a few pictures from our trip. If you'd like to see more, take a look at my other blog, or on Facebook.

Pocket novels update

Here are the latest My Weekly pocket novel guidelines.

ISSNs

It's been suggested that I include a list of magazine ISSNs to refer to when adding work to ALCS; would you find that useful?

As I'm still away in the van, it will take me a while to sort this out – unless some of you can help out by adding some details in the comments. I could later transfer those to a separate page/post.

If you have no idea what I'm going on about, you might want to take a look here and here. If you've sold work (fiction or non-fiction) to UK magazines within the last three years, it's worth your while to put in a claim.

Slight change at Allas

There's a change to the postal address to use for invoicing Swedish magazine Allas. It is given on the acceptance email, but if like me you have a template set up, it's easy to miss things like that. Or perhaps I can blame the beautiful, but very warm 6 mile walk I'd taken along the white cliffs of Dover just prior to opening my emails? 

The new address is - 

Aller Media AB

Allas / Lotta Gustavsson

FE 5006

838 77 Frösön

Woman's Weekly update

Woman's Weekly are particularly interested in seeing more one and two page stories for the weekly magazine, and longer stories of 2,500 to 8,000 for the fiction special.

Most themes are welcome, except for weddings, as they have enough of those for now.

Full guidelines can be found here. (Note there's a new(ish) address.)














My story in the current (July) fiction special is about a rugby coach.

No choice

I've released a new collection of short stories. Can't Choose Your Family is a collection of 25 family themed short stories. 

The usual price will be £6.60 ($9) for the paperback and £1.99 ($2.99) for the ebook, but for this week the kindle version is available at 99p (99c).

Guest post by womagwriter Shane Telford

Today's guest is Shane Telford.

Imagine my excitement when I accidentally discovered a new market for short stories while aimlessly flicking through my Readly app the other night.

Woman’s Way is a weekly publication in Ireland, aimed at women thirty and beyond. I’ve noticed it on shelves before but it was never really on my radar. Once my finger slipped and I’d downloaded the most recent issue onto my phone I decided to go for a bit of a snoop, to pass the time if nothing else. And there it was on the content’s page, ‘Reader’s Fiction’.

I skipped to page forty-one, eager for a read and found a rather cute story about dating in your fifties, the kind of story I’ve read and written in the past. Then I investigated further and discovered that their fondness for a short story was only recent; it had become a regular feature two weeks prior.

So far, so good. I decided to get in contact with the editor and enquire about their fiction guidelines, asking about word count, theme and pay rate.

The editor replied rather promptly, another plus I thought, and sent me a detailed list of guidelines. But before I could begin plotting my first submission to the magazine, I saw a sentence that made my heart sink. ‘We are not currently in a position to pay.’

And just like that, any excitement I had about this new market dissipated until all I was left with was anger and disappointment. I flicked through the pages again and noticed that the magazine were willing to pay for reader’s letters, but when it came to eight hundred words of fiction their purse-strings were tightly pulled and knotted.

That got me thinking: Why is our writing so often treated as second-class, unworthy of payment? In an ever-shrinking market, where it’s becoming harder and harder to sell a story, why do some publications think it’s okay to ask us to just give away our work and be content with a pat on the back?

I suppose the answer is because some people will sell a story and be completely okay with the thrill of publication as the only payment. But that doesn’t help those of us who use our hard-earned writing money to pay the bills. If anything it’s a hindrance.

So, what is the answer? I wish I knew that for certain. I just know that I could never support a publication that takes my work for granted, considers my writing just a hobby, and expects me to fill their pages free of charge. Instead I’ll spend my time and money on those magazines that offer more than just an opportunity to see my name in print. The Womag market isn’t at its healthiest but I think it’s important for us all to appreciate that there are still magazines out there willing to give our work the respect it deserves and pay us what we’re owed. They are the magazines we should be supporting, in whichever way we can, whether it be by subscribing every month or submitting our best work.

Patsy's periodic prompt

Here's a picture you might like to use as a story prompt - if you use it and sell the story, please do let me know!

I'm rather proud of this photo, so this is really just an excuse to show it off to those who missed it on Twitter.  Generally when something like this happens under my nose, I'm so busy watching, I forget to use the camera.

Do you think you might write about seals? Or have you done so already? (I have in my novel Firestarter.)

Any idea what type of fish that is?

Happy Birthday, Alfie!

Alfie Dog Fiction is five years old today!

I know it's a cliché to say so, but it really doesn't seem that long since the first of my stories was published there. It must be though, as I was Alfie Dog's very first author.

As part of the celebrations, there will be special features, reduced price stories and even free books. Keep checking the website and social media, so you don't miss out.

(Picture is Alfie himself, with Rosemary J Kind - Alfie Dog Fiction's editor.)

Any questions?

I'm spring cleaning the blog and have removed some sections which weren't being used, or didn't seem helpful. One of these was the questions page. Lately people have been posting questions about a particular magazine as comments on posts which feature its guidelines. This seems to work well, so please keep doing that.

If you have a question which isn't specific to a particular magazine, please either ask here or on my latest post (not guest posts please unless the question is for the guest poster, or specific to their post.)

Please post all questions on the blog - that way I will see them. If you email or ask via Facebook there's a chance I'll miss them, plus it's quicker and easier for me to reply here, and the information will then be available to more people.

Anyone is welcome to reply to any questions or comments - I don't know all the answers, but between us, we probably do!

People's Friend Pocket Novels - latest guidelines.

I posted the My Weekly pocket novel guidelines yesterday.

For People's Friend, the word count is shorter - and of course there are style differences too.

I'm not absolutely sure about the pay rate, but believe they're similar for both.

My Weekly Pocket Novels - new guidelines

Here are the latest guidelines for My Weekly pocket novels.

Unlike with the short stories, you don't need to have been previously published by My Weekly to submit a pocket novel.

If a pocket novel is accepted, the author will then be able to submit short stories to My Weekly.

Any preference?

Which is your favourite womag - and why?

Guest post by womagwriter Keith Havers

My guest today is womagwriter and novelist, Keith Havers. 

Always On The Lookout

I had the pleasure of meeting Patsy a few weeks ago and an off-the-cuff comment by me over the coffee and biscuits is the basis of this post.

I happened to remark that, as an almost full-time writer, I consider myself to be at work during all my waking hours. By that I don't mean that I'm constantly writing or that my mind is consciously working on stories, but I am always on the lookout for ideas and inspiration.

I think this stemmed from a few years ago when I had just begun sending off short stories to competitions and magazines with very little success. My wife and I were walking along the seafront at some English resort and watching the activity on the beach. It was a cold day and there weren't many people about but my wife challenged me to concoct a story based around some of the things going on. I actually managed to come up with two stories, one of which was eventually published.

From then on I was constantly aware that there are story ideas all around and almost anything can be used as a basis for fiction. It has now become second nature for me to latch on to an overheard conversation, an unusual event or a news item on TV and begin to turn things over in my mind.

Since then I have had published stories based on TV shows, family life, national events and many more. Since becoming a writer I've become more observant and a bit of an eavesdropper but it has paid off.

You can find my blog here.

Keith has recently self-published Youthtopia, a children's adventure story aimed at 11 to 13 year olds. It features seven youngsters from diverse backgrounds who have to work together to outwit a criminal mastermind.

A sequel is in process.

Are you like Keith, always on the lookout for story ideas, or do you switch off from your writing when you're away from your desk?