Each month I'll be making a posting just like this one, so blog readers can ask any questions*, share any womag news, tips, advice they may have, or make womag related comments or observations.
*If you can answer these, please do.
Monday, 15 January 2018
Thursday, 11 January 2018
Monday, 8 January 2018
What's your routine?
Today's post is from womagwriter Lisa Macgregor.
As I sit at the kitchen table with my
laptop in front of me (plus tea and biscuits of course) about to
start a day of writing, I suddenly find myself wondering about the
routines of my fellow womag writers and how you all like to plan your
day.
Like many people I enjoy the discipline
that having a routine can bring. But when you are a writer at home by
yourself, with no company timetable to adhere to or a boss keeping a
beady eye on you and threatening to stop your wages, it's hard to
remain focussed and know how best to juggle what needs to be done.
For example, I normally spend my days
writing short stories for magazines. However this year I have decided
I would like to tackle a novel, which feels like a mammoth task,
especially as I want to continue with the short stories as well. So
I'm wondering how best to divide my time so that I don't get
distracted and start jumping between the two tasks and not
accomplishing anything.
Are you juggling writing short stories
with writing a novel? Or are you juggling a full time / part time job
with catching a few hours writing late at night or early morning?
I'd love to hear about your writing
routines. Maybe you have some good tips to share? And if anyone knows
how best to avoid the biscuit tin and slip some much needed exercise
into the day please let me know as I'm developing a bad case of
writers bottom!
Thursday, 4 January 2018
Good news from Woman's Weekly.
I have a story in the current issue of Woman's Weekly, which is great news for me, but not so interesting to everyone else. Fortunately I have what I think is good news for us all - the new fiction editor has confirmed she is now able to accept stories from all writers, whether or not they've had stories published in the magazine before.
If you've not had success with Woman's Weekly, I reccomend reading the three posts from Clare Cooper, particularly the second one.
If you've not had success with Woman's Weekly, I reccomend reading the three posts from Clare Cooper, particularly the second one.
New Woman's Weekly Fiction Guidelines (reproduced with the permission of the fiction editor)
We regret we
can't accept stories by e-mail. Please include a SAE in case we have
to return your manuscript.
Fiction is a vital ingredient of Woman's Weekly, the place where readers can escape and switch off. This doesn't mean predictable plots or old-fashioned romances. Escapism means getting involved in a really gripping tale with believable characters. Above all, we are looking for originality and a wide variety of themes and moods, such as mystery, humour, relationships and family issues, with warmth still an important factor. Try to be subtle in your writing and remember the maxim: "Show don't tell". We recommend you read several issues of Woman's Weekly and Woman's Weekly Fiction Special to get a feel for our audience.
Unfortunately, we can't offer criticism, but if your writing shows promise, we will contact you.
WHAT WE ARE LOOKING FOR:
For the weekly magazine:
Short stories of 1,000 and 2,000 words
Serials in 3 or 4 parts of 3,800 words each
For Fiction Special (At least 20 stories 10 times a year):
Stories of 1,000 to 8,000 words
GENERAL TIPS
Fiction is a vital ingredient of Woman's Weekly, the place where readers can escape and switch off. This doesn't mean predictable plots or old-fashioned romances. Escapism means getting involved in a really gripping tale with believable characters. Above all, we are looking for originality and a wide variety of themes and moods, such as mystery, humour, relationships and family issues, with warmth still an important factor. Try to be subtle in your writing and remember the maxim: "Show don't tell". We recommend you read several issues of Woman's Weekly and Woman's Weekly Fiction Special to get a feel for our audience.
Unfortunately, we can't offer criticism, but if your writing shows promise, we will contact you.
WHAT WE ARE LOOKING FOR:
For the weekly magazine:
Short stories of 1,000 and 2,000 words
Serials in 3 or 4 parts of 3,800 words each
For Fiction Special (At least 20 stories 10 times a year):
Stories of 1,000 to 8,000 words
GENERAL TIPS
- We read only typescripts. Handwritten work or disks can't be considered.
- Double line spacing on one side of the paper only and wide margins.
- Number each page and make sure your name is at the top of each page.
- If sending stories from abroad, please enclose an international reply coupon.
- If you would like us to acknowledge receipt of your manuscript, enclose a stamped, addressed postcard.
Please
note that it can take up to sixteen weeks for manuscripts to be
considered, and that we are unable to enter into any correspondence
by email.
Please send stories/serials to:
Fiction Department, Woman's Weekly, 161 Marsh Wall, London E14 9AP
Those who currently submit by email, may continue to do so.
Please send stories/serials to:
Fiction Department, Woman's Weekly, 161 Marsh Wall, London E14 9AP
Those who currently submit by email, may continue to do so.
Tuesday, 2 January 2018
GET WRITING FIT FOR 2018!
The
Christmas break is over. The shops are already stocking Valentine
cards and crème eggs and it’s back to business for many. If
you’ve been over-indulging, eating and drinking too much, lounging
about indoors and writing nothing more taxing than endless shopping
lists, it’s time to follow Clare Cooper’s light-hearted
resolutions guide and get yourself back on track with your
story-writing fitness regime.
WALKING
AND LIFTING
Power-walk
your way to your nearest bookshop. Now, buy as many books as you can
afford. Don’t forget to use those book tokens you were so loudly
dropping hints about in the run-up to Christmas. Balance it out by
buying an even number and size of books, so that the weight is evenly
distributed.
As
you make your way home, you can congratulate yourself on two things.
One: The weight of the books is giving your upper arms a much-needed
workout. No, lifting the TV remote control every day and night for
the last two weeks doesn’t count; sorry. Two: You can treat it as
research but, more importantly, you are supporting your fellow
writers and keeping everyone in jobs, from the bookseller to the
delivery van driver to the publisher to the editor to their assistant
to the cover jacket designer to the printer to the coffee machine
vending company to the office cat to… you get the picture.
When
you do finally sit down at your desk, remember to take regular breaks
every hour. Walk around your desk, walk around the room, walk up and
down the hallway, walk up and down the stairs but try to resist
walking to the fridge or food cupboard more than once every hour. OK,
twice.
TONING
Your
arms and legs are toning up nicely, but there’s another type of
tone: your writing voice. Make this the year you develop your own
unique tone and style. Remember what Oscar Wilde once said: “Be
yourself. Everyone else is taken.” Target your chosen market and do
your research on them. Buy a few issues of that publication, go
online, look at their website, get hold of their guidelines, study
their readership (their Facebook page will be great for this) and
don’t give up too easily if you receive a few rejections before you
hit the mark.
RESISTANCE
TRAINING AND TREADMILL
You
have been sending in your stories to various publications for months,
if not years and you’re still not hitting the mark with them –
see above. Resist the urge to take it all too personally. Step off
the treadmill of negativity. It’s not the fault of the editors.
They know their publications inside out and they know what their
readers want. They also know about stories that have well-worn themes
and are therefore predictable and guessable, with no real surprises.
Plots that are not strong enough. Disjointed stories that appear to
be about more than one thing and stories that are too far-fetched.
Keep learning, keep trying and remember to be patient! Editors have
to read hundreds of stories, not just yours (though, of course, yours
is undoubtedly the best and most important one in the heap), as well
as getting on with the many other sides to their job – and all to
deadlines!
PRESENTATION
Don’t
sweat the small stuff. House styles vary between publications and no
two are the same. Your job is to provide the words, in a clear and
readable manner, preferably double-spaced, with a word count. Put
your contact details on there somewhere and let them take care of the
rest.
BODYBUILDING
It
takes time to build the perfect body and it takes time to build a
good relationship with your editors. Keep it polite and pleasant;
don’t be stroppy or difficult. You won’t necessarily get any more
acceptances if you are the former, or fewer acceptances if you are
the latter, but who wants a reputation for being awkward to deal
with? (Bribes won’t work, either, but they will make editors very
happy. I like chocolate, btw.)
Don’t
get yourself in a spin with words. There is such a thing as
overwriting; a common fault seen everywhere. You may think, why use
two words when you can use ten? But editors won’t be impressed with
your exhaustive knowledge of the dictionary. It won’t help your
story along. It will, instead, halt the flow and befuddle the reader.
Less is often more. Many consider Raymond Chandler novels to be among
the best. Read them to find out why.
STRETCHING
AND FLEXING
If
you have been sitting at your desk, beavering away for some hours
(you have, haven’t you? I don’t mean catching up with everyone on
social media, either), you will find that you will need to flex your
fingers and stretch your neck and limbs. My top tip: never put food
within stretching distance. Always have it where you have to leave
the room to go and find it, thus building in a little more exercise
along the way.
Back
at your desk, stretch yourself a little with your writing: don’t
just stick to the tried and trusted same-old, same-old themes because
you’ve had some success with them in the past. Don’t be afraid to
test the water with your editors – speak to them and run your ideas
past them first (without giving too much away), so that you’re not
wasting your time and theirs. If they’re not suitable for them,
try elsewhere. Expand your markets. Flexibility can also mean taking
constructive criticism on board and working with your editors to make
the necessary changes to improve your story’s chances.
BOXING
Sometimes,
the cut and thrust of the writing business will get you down.
Everyone has their off days. Take any criticism on the chin - see
above. We’re all here to learn. Switch off that critical, nagging
inner voice, cut yourself some slack, go into the garden and take it
out on the weeds, maybe clear out a few kitchen cupboards as well,
then get back in the ring. Raise those gloves. Slug it out. You can
do it; you know you can!
ROWING
(WITH AN “OH” NOT AN “OW”)
Don’t
worry too much about how you are going to get there. Some have it all
planned out and will only ever steer in a straight line, with no
distractions; others won’t have a clue and are quite happy to
meander endlessly around the byways and tributaries until they can
see where they are going. Everyone has their own preferred method.
It’s not a race. Just follow your own course.
PULLING,
PUSHING AND PRESS-UPS
When
you feel the pull of the computer, don’t fight it. Push yourself to
write something every day. Get into the habit of a daily workout.
Press yourself to do a little more each time. Enter competitions,
review books online, send something to magazine letters pages. Build
up your writing muscle.
Oscar
Wilde (him again; he was a busy boy) wrote that we should always
travel with a diary so we would have something sensational to read on
the train and Mae West, who also led a somewhat colourful life, is
quoted as saying: “Always keep a diary. One day it will keep you.”
Maybe your entry will read more along the lines of: “Went to
Sainsbury’s, waited ages for the bus, forgot cat food, forced to
share my tea with Tiddles, had a bath, went to bed” but my point is
that it’s all good practice and life, even at its most mundane and
routine, will be fodder to an active imagination. Don’t forget that
notebook and pen!
PERSONAL
TRAINING
Sometimes
we reach a plateau, stalemate, and need a fresh approach to reach our
goals. It can seem we’re never going to get there. At the gym, we
would be assessed regularly and our training program adjusted
accordingly. Our trainer would hopefully be supportive and
encouraging, too. Try joining a writing group or going on a course.
There are many excellent ones out there. You will get valuable
feedback and possibly some new ideas. If nothing else, it’s a break
from your normal daily routine and you will likely end up with a few
more friends on Facebook.
STAR
JUMPS
Because,
when you have finished your piece and, even better, had it accepted,
you will feel like jumping for joy. Probably best to do it outdoors,
though. Never mind what the neighbours may think. They’re well used
to you and your funny little ways by now.
Happy
new writing year, everyone!
Sunday, 31 December 2017
Happy New Year!
Friday, 29 December 2017
The bit in the middle
The few days between Christmas and New Year always have an odd feel to them, I think. I'd assumed magazine editors would all be at home, until I got an acceptance from Woman's Weekly. That made me feel guilty about not working, so I sent off a couple of submissions and got auto responses saying the people concerned would be away from their desks until well into the New Year.
What about you – are you still on holiday or back at work? (If you feel you should be working but can't get motivated, you might like to try this marvellous book .)
Coming soon ... Clare Cooper will be sharing her excellent tips for getting writing fit in 2018.
What about you – are you still on holiday or back at work? (If you feel you should be working but can't get motivated, you might like to try this marvellous book .)
Coming soon ... Clare Cooper will be sharing her excellent tips for getting writing fit in 2018.
Thursday, 21 December 2017
Season's Greetings
Wishing you all a wonderful Winter Solstice, fabulous Yultetide, Merry Christmas, Happy Hanukah, Cheerful Mōdraniht, Joyful Soyal, fun Pancha Ganapati and a good time at any other celebration, gathering, feast or festival you may wish to get involved in.
And if you decide to skip the whole lot and stay in with a mug of tea and a good book, I hope you enjoy doing that.
Here's a mince pie for everyone who has supported this blog through guests posts, comments and sharing links on social media. I really appreciate your support.
And if you decide to skip the whole lot and stay in with a mug of tea and a good book, I hope you enjoy doing that.
Here's a mince pie for everyone who has supported this blog through guests posts, comments and sharing links on social media. I really appreciate your support.
Wednesday, 20 December 2017
Another change at Woman's Weekly
Those of you who're currently able to submit to Woman's Weekly should have heard that the new fiction editor, Danni Dawson is leaving on 12th January. From today onwards, submissions should be submitted to Emma Shacklock, who is the 'new full time fiction coordinator'. Any stories already accepted by Danni will still be used.
Emma is already hard at work buying stories and has just accepted one of mine!
Emma is already hard at work buying stories and has just accepted one of mine!
Monday, 11 December 2017
Your Go
Each month I'll be making a posting just like this one, so blog readers can ask any questions*, share any womag news, tips, advice they may have, or make womag related comments or observations.
*If you can answer these, please do.
Have you written anything lately? Had an acceptance or rejection? Got a story in one of the current magazines? Waiting for a reply to your submission?
*If you can answer these, please do.
Have you written anything lately? Had an acceptance or rejection? Got a story in one of the current magazines? Waiting for a reply to your submission?
Thursday, 7 December 2017
Contracts
I've said this before, but I think it's worth repeating - If you are asked to sign a contract, PLEASE be sure you understand it and agree to the terms BEFORE signing it.
No reputable publisher will mind you asking questions about points you're not sure of.
If you sign something you don't understand then there's a danger you'll accidentally break the contract terms.
If you don't agree, then say so and don't sign. In some cases it may be possible to negotiate (I've successfully done this in the past when a publisher requested full exclusive rights, which I wasn't prepared to give up.)
Once you have signed (if you do) be sure you keep a copy for future reference.
No reputable publisher will mind you asking questions about points you're not sure of.
If you sign something you don't understand then there's a danger you'll accidentally break the contract terms.
If you don't agree, then say so and don't sign. In some cases it may be possible to negotiate (I've successfully done this in the past when a publisher requested full exclusive rights, which I wasn't prepared to give up.)
Once you have signed (if you do) be sure you keep a copy for future reference.
Friday, 1 December 2017
Might I suggest...
It's the time of year when many of us are asking or being asked, 'What would you like for Christmas?'. How about asking for, or giving, a subscription to one of the womags which publish fiction?
Just by making the suggestion you're reminding people these magazines exist and are of interest, and if you give one as a gift you may well turn the recipient into a loyal customer. If those of us with a vested interest in keeping them going aren't willing to support them, then who else will?
Another good gift idea (in my opinion) is this very nice writing book.
Are you giving, or hoping to receive, any writing related gifts this year?
Wednesday, 29 November 2017
Back ... for now
The blog got a few unpleasant spam comments yesterday. I deleted them and then got a few more. It wasn't loads, but more than the number of genuine comments I'd got in the entire previous week, which was very disheartening.
Rather then spend what would otherwise have been writing time trying to keep the blog free of the spam, I took it down as a temporary measure. Hopefully that will be the end of it.
Rather then spend what would otherwise have been writing time trying to keep the blog free of the spam, I took it down as a temporary measure. Hopefully that will be the end of it.
Thursday, 23 November 2017
Joint ventures
My writing friend, the editing expert Anne Rainbow, and I are running a Writers’ Workshop Weekend at Hope Cove in Devon next March.
We hope (excuse the pun) some of you will be able to join us.
Another of my writer friends Rosemary J Kind and I have set up a Facebook group called From Story Idea to Reader as a companion to our book of the same name. We’ll be offering writing tips and support.
Group members are invited to ask questions about any writing related subject (including womag fiction!). It will be nice to see some of you there.
And on Saturday 25th November I'll be at Elmore Angling Club's Christmas Fair (10-2 Lee-on-the-Solent seafront) with my husband Gary Davies, where we'll bot be selling our books (trying to at least.) It's free entry, so if you're in the area, do come in and say hi.
Wednesday, 22 November 2017
Bit of a shocker
Last week the editor of Australian magazine Yours contacted me to say they were making changes at the magazine and would be including longer fiction. She was particularly looking for serials and asked if I thought my blog readers might be interested in submitting these. As I thought some of you might, I invited her to write a guest post.
Lisa sent me details of what she was looking for both in serials and short fiction and I scheduled the post. Before it could go live, she emailed to say they were closing the magazine. Not dropping fiction, or reorganising a department, but completely closing it.
This magazine is owned by Bauer media - as are several other titles, some of which currently publish fiction.
Lisa sent me details of what she was looking for both in serials and short fiction and I scheduled the post. Before it could go live, she emailed to say they were closing the magazine. Not dropping fiction, or reorganising a department, but completely closing it.
This magazine is owned by Bauer media - as are several other titles, some of which currently publish fiction.
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